In May, we had a meeting with "Tiara Koto" because it was an affordable venue. Although it was a venue where Saturdays and Sundays could hardly be taken, we planned a second meeting this year because it was vacant only on the night of November 10 (Sunday) "That was the trick.)
In the first half, following the lively self-made work ("Together"), we will perform the two major songs of Choi Motoyo, “Juya Night Moon” and “Nyanse”, which are regarded as the best nursery rhyme composers in Japan. We added preludes and interludes without adding extra sound so as not to damage the original song. There is plenty of solo work by both Mr. Kujima and Mr. Iijima who have been studying for a long time and playing this song on the day.
The second half is the rare world of Zen shakuhachi. After the “Sanya” of Sendai / Fubukuro Eden, depicting the scene of the sun shining quietly in the heavenly Iwato, the “Oshu Shuji”, which is said to be a masterpiece, was the final student. Two songs are played: “Tsurunosu-an” (broken) Kyoto Meishin Shinryo, and the most difficult piece “Kakuku” of Hirosaki Tsugaru / Nishiki-style Nishiki-style. Every song is a big song of Okuden and Minaden. We use old pipes with imperfect tuning that do not apply lacquer and powder inside the ground. If there are no big habits in the performance of the elementary school, I would like to add to the seventh and later CDs released in the United States. *
I would like to invite people with whom I have a relationship, but due to the limited number of seats, I will make an official reservation when I contact you with my full name including those I know.